Originally published on Torontoist on November 17, 2011.
Part of the press preview festivities.
As we approached the seating area for a press conference about the Royal Ontario Museum’s next major exhibit yesterday, we were greeted by a man in blue body paint and a tall headdress wielding a weapon. While he was there to pose for the media (and is pictured above), we couldn’t resist letting our imagination run free to speculate that he was on hand as a ghost of a past civilization warning us of future calamity.
Along with the ROM’s recently reduced admission prices, it probably won’t hurt the museum’s attendance figures that the Maya: Secrets of their Ancient World exhibit that opens to the public this Saturday ties into the hype surrounding the Mayan long-form calendar prophecies—ones that some believe spell either glory or doom for the world next December.
Funerary mask made of jade, shell, and obsidian, circa 250-600 CE. Royal Ontario Museum.
The exhibition is a collaborative effort between the ROM, the Canadian Museum of Civilization (where it will run later in 2012), and Mexico’s National Institute of Anthropology and History (Spanish website). Over 250 artifacts ranging from giant incense burners to rings for ball games have been gathered from the ROM’s collection, various museums in the Yucatan, and institutions from overseas (British Museum) and across the street (Gardiner Museum of Ceramic Art). Many items, especially those recently excavated from the ruins of the city of Palenque, are being presented in public for the first time.
Installed in the basement Garfield Weston Exhibition Hall, the exhibit is divided into seven sections covering various aspects of Mayan culture: The Maya World, The City, Cosmology and Ritual, Writing and Timekeeping, The Palace, Death, and Collapse and Survival. We were particularly drawn to the Writing and Timekeeping section, especially the exhibits on the efforts to decipher the glyphs that are the written legacy of the Mayans. Videos and touch-screen panels explain how researchers have determined that the symbols often represent syllables instead of individual letters or whole words. Like the rest of the exhibit, this section includes recreations of objects on display so that the visually impaired or those who enjoy a tactile component as part of their museum experience can touch the items without damaging the originals. This section also addresses the stories around 2012 and the Mayan calendar, including a projected clock on the wall. The ROM is also offering numerous tie-ins to the show, including a lecture series, graphic novels, and a Maya-themed sleepover for kids.
As part of the press conference, we were served samples of Mayan-themed dishes that will appear on the menus of both C5 and the Food Studio Cafe during the exhibit’s run, including some rich hot chocolate. No toasts to the upcoming apocalypse, though.