Opening City Hall

Originally published on Torontoist on September 8, 2015.

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The Telegram, September 14, 1965.

When the new City Hall opened on September 13, 1965, that afternoon’s Toronto Star editorial echoed many initial thoughts about our new $31 million landmark:

Suddenly today every Torontonian is ten feet high. For the new City Hall is his. He is part of its greatness and shares its beauty. There in its mass and grace is his visible assurance that he is a citizen of no mean city. The building in Nathan Phillips Square is more than an impressive and proud architectural statement of civic status. It gives the metropolis a focus. It is the heart of Toronto’s future. It is the symbol of the new Toronto and we can rejoice in what it means.

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Toronto Star, September 11, 1965.

Seven years after Viljo Revell’s design was chosen in an open competition, four years after ground had broken, the controversial structure buzzed with activity while preparing for its debut. Forty-two workmen moved furniture, including the mayor’s desk, across Bay Street via overnight dolly runs. Shelves were filled at the new library branch. Workmen scrambled to finish installing desks and rugs, catching up after an eight-week carpenters’ strike. Metro Toronto’s coat of arms for the council chamber arrived late. Officials decided that the first two floors of the podium, the council chamber, and the basement cafeteria were the only areas ready for public scrutiny.

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Cartoon by Sid Barron, Toronto Star, September 13, 1965.

A military band from Petawawa launched the festivities at 1:30 p.m., which drew a crowd of 15,000. The civic guard of honour escorted city councillors and suburban mayors and reeves from old City Hall to the platform in front of the new building. At 2:15, a 100-member honour guard drawn from five regiments marched into the square. Accompanied by the first of several RCAF flyovers, Governor-General Georges Vanier’s motorcade arrived on time. He was followed by the Finnish ambassador to Canada, Torstein Tikanvaara, Prime Minister Lester Pearson, and Ontario Premier John Robarts.

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Toronto Star, September 14, 1965.

In his opening speech, Mayor Phil Givens observed that many were responsible for new City Hall, “from an architectural genius in far-off Finland, to the humblest labourer in Canada, and, above all, the support and patience of the citizens of this city.” To Givens, the building symbolized both Toronto’s transformation into a world-class city, and the audacity to build so unconventional a structure in a city steeped in tradition.

Pearson praised City Hall’s modernity, while lamenting the likely fate of its predecessor, which “must become a sacrifice to progress” (plans released later that week for an early version of the Eaton Centre would have demolished all but the clock tower of old City Hall). He was followed by Robarts, three religious leaders, and the presentation of a ceremonial gavel by Hamilton Mayor Vic Copps.

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The living former mayors on hand for the ceremony (Allan Lamport refused to come, while Hiram McCallum was out of town on business). The Telegram, September 14, 1965.

But the man of the hour was Nathan Phillips, whose championing of the new civic square led to his name being bestowed upon it. Givens and Vanier presented him with the Civic Award of Merit gold medallion. Phillips slipped comfortably back into his “mayor of all the people” mode all day, joking with fellow dignitaries. When he examined Givens’ new office, Phillips grinned and said “I didn’t know I was building this for you, Phil.” Noticing the press later on, he assumed a serious tone to state how this was one of the most important events in his life, and how grateful he was for the honour of having served as mayor. He smiled as he switched back to his normal speaking voice. “How was that, eh?”

While Phillips was visibly moved by the reception he received, one of his predecessors was a party pooper. Allan Lamport had backed more conventional designs during his mayoralty in the early 1950s, and believed taxpayer money was wasted on the project. Having campaigned to review the project during his failed 1960 mayoral bid, his bitterness was still evident. Lamport spent the day at his insurance office. “I have to work for a living and I haven’t got the time for parties these other fellows have,” he declared. He had no desire “to cheer something that is wrong and impractical for the taxpayers.”

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Globe and Mail, September 13, 1965.

After the presentation to Phillips, Givens paid tribute to Revell, who had died less than a year earlier. Revell’s widow Maire sat in the front row next to the Finnish ambassador. The Toronto Finnish Male Choir sang “Finlandia” to honour Revell, whose work was commemorated with a plaque by the front entrance. Mrs. Revell was given a gold pendant depicting her husband’s work. Despite her stern bearing during the ceremony, she later signed souvenir programs and indicated she had enjoyed the day even if it was difficult to express her feelings about the realization of her husband’s work. She admitted in a Globe and Mail interview that initially it wasn’t one of her favourite designs. “But when I first saw the drawings for it, I knew that it was going to be for the best,” she said. “I was really shocked at the design—shocked in the sense of liking it.” One of her laments was that Revell had visualized a sculpture by Henry Moore as part of the square, an element which appeared only after a battle royale among city politicians the following year.

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Mayor Phil Givens’s office. Canadian Architect, October 1965.

Among those sitting on the green benches reserved for dignitaries was 90-year-old Alfred Stagg. He had ventured downtown that day to buy a hearing aid battery for his wife. Noticing the crowd in the square, he asked a police officer what was going on. Stagg then shared stories about his childhood adventures on the site. “We used to play on the vacant lot there,” he told the Telegram. “And there used to be circus wagons there sometimes…and snake charmers and medicine men. I had a tooth pulled out by one of them.” The officer took Stagg by the arm and walked him past the VIP barricade. Asked his opinion of the new building, Stagg replied “I used to call it Phillips’ Folly. But now I like it.”

The ceremony ended with the official ribbon cutting. Watched by Givens and Metro Toronto Chairman William Allen, Vanier used a giant pair of scissors to cut the 132 foot long ribbon. Fireworks went off.

Confusion ensued when the dignitaries went on a post-ceremony tour. Robarts was accidentally barred from the mayor’s office. The building’s circular shape led confused guests into places they didn’t expect—trips to the cafeteria turned into expeditions through the chauffeurs’ garage. Limited elevator service created long waits for overcrowded cars to reach the council chamber. Pearson and others vainly searched for a staircase, only to discover that they were closed because they also led to the freshly asphalted front podium roof (workers were afraid high heels would leave holes). The PM joined everyone else in line.

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Toronto Star, September 10, 1965.

Press reaction was positive, steeped in civic pride and confidence in Toronto’s future. That feeling carried over into the Star’s man-on-the-street interviews, such as one with civic worker Jack Boustead:

You can have memories, but you can’t live in the past. The old City Hall, and I knew it for 54 years, served its purpose. The new City Hall is a symbol of Toronto’s progress and outlook on life. The City Hall should lead in new architecture.

Not everyone was pleased. Roofer John Fridz felt it lacked dignity, charm, and a clock tower. “This new thing is cold, grey, and not worth the cost,” he observed. “If it impressed any one—it won’t be from beauty.” At least one letter writer to the Star preferring that the hoopla be directed to building the Bloor-Danforth line into Etobicoke and Scarborough, proving you can work complaints about subway service in the east into any Toronto political development of the past half-century.

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Toronto Symphony Orchestra performing in Nathan Phillips Square. November 14, 1965. City of Toronto Archives, Fonds 329, Series 1569, File 2531.

Opening day ended with the first of a week-long entertainment series in Nathan Phillips Square, a salute to Canada’s military history. The next evening, around 30,000 watched a bill featuring the Canadian Opera Company, National Ballet of Canada, and the Toronto Symphony Orchestra. The latter decided not to fire cannons during the 1812 Overture out of feat of shattering hard-to-replace glass—the replacement smudge pots proved a bust. “The entire event recalled something of a civilized ritual of a bygone era, the conversazione,” noted the Globe and Mail’s Ralph Hicklin. “There was music there—beautifully presented, well amplified—for those who wanted to hear it. There was room for the others, who had come to promenade, or to chat, or do a little courting. In Toronto, where we are reputed to take out pleasures sadly, it was wonderful to see so many people having a wonderful time, in surroundings as beautiful as any you could find in North America.”

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The Telegram, September 14, 1965.

Day two also saw the building open for public tours. Over 200,000 passed during the week, their enthusiasm keeping the tour guides perky. Some cranky visitors felt it was their right as taxpayers to visit private spaces. The most popular stops were the neighbouring offices of Allen and Givens.

Politicians testing the new facilities found flaws. The Board of Control found a committee room was too small to hold other officials and the press, while the Public Works committee met in the cafeteria. A policy to use the council chamber solely for full city and Metro council meetings was revisited. When Metro Council held its first full meeting on September 21, East York Reeve True Davidson, no fan of the building, insisted councillors didn’t need mics to be heard. She was later asked to remove her hand from her mic. After the session, she claimed she didn’t like how she sounded over the sound system.

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The Telegram, September 20, 1965.

The evening celebrations carried on, including events ranging from a multicultural night to square dancing. It climaxed on September 18 with “Toronto A Go Go,” a teen-centric concert featuring local rock acts and go-go dancers. Givens taped radio ads for the show, urging “all you cats and those who are young at heart” to come on down. The crowd of 60,000 whipped itself into a frenzy, causing officials to ask for calm several times. One of Givens’ requests turned into a duet featuring the mayor and Bobby Curtola singing “When the Saints Go Marching In.” Around 200 police officers were present in case the show went off the rails.

The climax came during the performance of the soul-influenced ensemble Jon and Lee and the Checkmates. During a cover of James Brown’s “Please Please Please,” singer Jon Finley’s gyrations “moved the girls in the front rows to new heights of endeavor,” reported the Globe and Mail, “as they screamed and tried to push through the police.” Givens and other officials had enough. According to Finley, the mayor tried to grab drummer Jeff Cutler’s cymbal, but was whacked across the knuckles as the band kept going. Finley was later helped off the stage, nearly unconscious—as another entertainer told the Star, “he doesn’t sing from his heart or that…he sings from his soul and it gets him emotionally.”

Givens ordered an early start to the evening’s fireworks.

Amid the mayhem, 19-year-old Brian Batt was stabbed, the result of an encounter with other youths described as wearing Beatles-style ensembles. The wound missed Batt’s coronary artery by a millimetre. Five men were later charged over the incident.

Despite the chaos, Givens was satisfied with how the go-go unfolded. “It was a great night and I’m glad we had it,” he told the Star. “There was a great spirit of enthusiasm, although I was worried a couple of times that someone might get hurt. But the police did a great job of controlling the crowds.”

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Cartoon by Al Beaton, the Telegram, September 13, 1965.

As politicians settled in and resumed their usual squabbling, the new City Hall remained a busy tourist attraction. To this day, the site retains its place as a symbol of our civic pride, and the heart of where we’d like Toronto’s future to unfold.

Additional material from Before the Gold Rush by Nicholas Jennings (Toronto: Penguin, 1997); the September 9, 1965, September 11, 1965, September 13, 1965, September 14, 1965, September 15, 1965, September 16, 1965, September 18, 1965, September 20, 1965, and September 22, 1965 editions of the Globe and Mail; the September 4, 1965, September 13, 1965, September 14, 1965, September 16, 1965, September 20, 1965, and September 22, 1965 editions of the Toronto Star; and the September 13, 1965, September 14, 1965, and September 20, 1965 editions of the Telegram.

ADDITIONAL MATERIAL

The final installment of  the second run of Vintage Toronto Ads, published on Torontoist on September 9, 2015, tied into this article.

When a major landmark opens, everyone (apart from skinflints complaining about cost) wants to join the party. It’s an opportunity to mark a major addition to your city, display optimism for the future, or find any means to hitch your wagon to the hoopla. Advertising in this vein ranges from simple congratulations to using the event as a springboard to brag about your latest milestone.

The opening of new City Hall in September 1965 was no different. The following ads mix historical perspectives, media coverage, building sketches, and corporations eager to embrace the future our new civic space symbolized.

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Toronto Star, September 11, 1965.

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Toronto Star, September 8, 1965.

Bosley Real Estate’s ad highlights how the process to build City Hall went back nearly two decades, and tips its hat to previous occupants of the site.

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Toronto Star, September 11, 1965.

Shell Canada operated its head office at 505 University Avenue from 1958 until moving to Calgary in 1984. Design firm Mariani and Morris was among the contenders to build City Hall in the early 1950s.

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Globe and Mail, September 11, 1965.

The Revell-inspired sand castles resemble those built by Nathan Phillips in an editorial cartoon five years earlier.

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Globe and Mail, September 11, 1965.

John B. Parkin Associates’s Simpson Tower opened in 1968.

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Globe and Mail, September 10, 1965.

Given the firm’s work on City Hall, employees of John B. Parkin Associates earned a well-deserved day off.

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Toronto Star, September 11, 1965.

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Toronto Star, September 11, 1965.

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Toronto Star, September 11, 1965.

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Toronto Star, September 11, 1965.

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The Telegram, September 10, 1965.

The Telegram’s supplement was the largest of the newspaper sections honouring City Hall.

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Toronto Star, September 11, 1965.

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Toronto Star, September 11, 1965.

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Toronto Star, September 11, 1965.

The Roar of Greasepaint, The Smell of Gunfire

Originally published on Torontoist on April 6, 2011.

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“Hundreds of onlookers thought they were witnessing an actual bank holdup and police-desperado gun battle at Yonge and Grosvenor today as these phoney [sic] officers raced onto the scene as part of the filming of a TV drams.” Photo by Madison Sale. The Telegram, September 10, 1958.

Wednesday morning, downtown Toronto. As a bank robbery unfolds a desperate man, hiding his identity underneath clown makeup, threatens to blow up the financial institution and anyone within it if his demands are not met. Outside the police prepare to swoop in—their every step monitored by a television camera crew filming the scene for an upcoming police drama.

While such a scene wouldn’t faze citizens used to seeing crime shows like Flashpoint and Rookie Blue filmed on Toronto’s streets, the reaction from passers-by was far different during the first decade of local television production. When a CBC crew filmed Power to Destroy at the Bank of Montreal branch at Yonge and Grosvenor Streets (now an A&W) on September 10, 1958, some of those who gawked believed they were witnessing an actual crime scene. As the Telegram reported in that evening’s edition, “for a hectic hour today the corner was the scene of what will probably go down in history as the most confused bank robbery staged in downtown Toronto.”

Based on an incident that happened in Montreal, Power to Destroy was chosen to lead off a new season of CBC’s Sunday night drama showcase General Motors Theatre. The cast included Douglas Rain (the voice of HAL 9000 in 2001: A Space Odyssey) as the clown-faced robber, John Drainie (veteran radio actor and an original co-host of This Hour Has Seven Days), and, as a cop, James Doohan (Scotty from Star Trek). The bank robbery sequence shot on the morning of September 10 was to be mixed in with live studio performances when the program aired 11 days later.

Given how the shoot went, it’s a good thing the robbery wasn’t transmitted live.

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“Despite the generous co-operation of real Metro officers, some of whom are seen here, director Paul Almond had to shoot the scene several times before he was satisfied. Traffic piled up and there was one collision as unknowing onlookers gaped.” Photo by Madison Sale. The Telegram, September 10, 1958.

Despite having genuine Metropolitan Toronto police direct traffic around the intersection of Yonge and Grosvenor, so that actor cops could rush into the bank, the outside world had a habit of interfering. One motorist who stopped to inspect the hubbub outside the bank blocked the way for a fake cop car, causing the actors inside the obstructed vehicle to stop 100 yards from the shoot.

Filming resumed as an ever-increasing crowd of onlookers tried to figure out what was going on. The Telegram reported that “the shooting of the bank robbery scene had such authenticity that a crowd of more than 200 gathered open-mouthed on the street, waiting for the worst to happen.”

The “worst” turned out to be outside drivers and other bystanders:

A woman driver tried to turn the corner and watch the officers in action. Her car ran into the rear of a car driven by another woman. As both argued, a middle-aged woman suddenly screamed at her husband. “I told you not to stand there. He’s inside the bank armed. Get back, Henry, get back.” A drunk wobbled onto the scene and warned all who would listen: “I know the guy that’s in there and he means business. They won’t get him without some shooting.” An elderly man turned to his wife and said “I don’t think he can get out of there with all these officers around. But we’d better move on anyways.”

By this time, bystanders who clued in to what was going on teased anyone walking by who was unaware of the situation—when one woman asked what was up and was told a bank robber had been shot, she replied “heavens, oh heavens.” As the morning wore on, the Telegram noted that the actors playing police officers “were shot over and over again, but their only wounds were sore feet from continuous running outside the Bank of Montreal.” Their fatigue wasn’t helped by incidents like a re-shoot caused by a traffic jam on Yonge Street. When the final scene was shot at noon, “a confused little man, hobbling on a cane, got in the way of the cameras. Befuddled by shouts to move on he tried to move in all directions at once and almost fell in front of two ‘policemen’ sneaking up on a bank window.”

The finished product was reviewed by the Star’s Gordon Sinclair, who felt Power to Destroy “was no world beater but it had some merit.” He praised the way the filmed sequences were spliced into the live drama, but criticized the high volume of background noise in scenes set in the bank and police station.

Additional material from the September 10, 1958 edition of the Telegram and the September 22, 1958 edition of the Toronto Star.

Ghosts of Christmases Past

Originally published as a “Historicist” column on Torontoist on December 25, 2010.

This holiday edition was, as the introduction noted, “a sampling of a century’s worth of Christmas advertisements, illustrations, pictures, and stories. Light up a Yule log (real or video), sit back and enjoy.”

For this edition, I’m not using the original gallery format, deleting some archival photos, and adding in some material that didn’t make the final cut. I am also merging in ads originally featured in a post for the 2014 holiday season.

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Cover of the special Christmas edition of the Globe, 1885. Library and Archives Canada.

In its Christmas Eve 1885 edition, the Globe reprinted the “Story of the Mistletoe” from Youth’s Companion. While much of the piece drones on about mistletoe’s role in Norse mythology and its use by Druids, it includes these nuggets about its contemporary sources and uses, in as non-romantic terms as possible.

It used to be brought over by friendly foreign steamers, but is now found in Virginia and in most of the Southern States, and is largely used for holiday decoration…The American mistletoe is not the genuine English article, although it strongly resembles it. The botanists have given it a new name, phoradendron, which signifies “a thief of a tree.” It is, however, a true parasite. The mistletoe is now so seldom found growing on the oak that when it is found there it is a great curiousity. It frequents apple trees chiefly, and is propagated by birds wiping their bills on the boughs and thus leaving some of the viscid pulp and seed, and if the bark happens to be cracked there it takes root.

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Cover of the special Christmas edition of the Globe, 1889. Library and Archives Canada.

Little does the turkey suspect that the young lady who visited each day with yummy treats was secretly fattening him up for her family’s holiday feast. Speaking of turkeys…

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The Globe, December 20, 1890. 

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The News, December 22, 1894.

If you couldn’t slaughter a turkey, you could always check out a “slaughter sale” of fine reading material.

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The News, December 22, 1885.

The News also provided “practical hints for the benefit of West End residents and others” as it named off a variety of Queen West merchants. Among the highlights: a free set of tableware with every purchase of a pound of tea at Laut Brothers (420 Queen West); a stock of nuts “not surpassed in the city” at Mara & Co. (280 Queen West); bargains among the jewellery and other goods damaged in a recent fire at J.I.S. Anderson (294 Queen West); and “beautiful villa sites overlooking High Park and Humber Bay” free of city taxes that went for one dollar per square foot at the real estate office of R. McDonnell at Queen and Gladstone.

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Cover of the special Christmas edition of the Mail and Empire, 1897. Library and Archives Canada.

Underneath the colour cover of this supplement was a collection of seasonal art, stories, and other diversions for the entire family.

20141224xmascardsThe Mail, June 27, 1881.

Even back in the Victorian Age, saving a buck on Christmas supplies like cards was as important as aesthetic considerations.

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The Empire, December 22, 1894.

An excerpt from the Empire’s Christmas Day 1894 editorial: “To the mind of the child this is the glorious season of the year when there is no cloud in the sky to dim the sunlight of pleasure in which infantile natures rejoice; but to the mature it is a period, apart from its spiritual associations, the delights of which are tempered by gravity and the joys of which are tinged with sadness, for as men grow memories gather. Looking back upon the Christmases of the past, who is there among us who does not feel that change and decay have wrought their mysteries as the years rolled on, taking here a friend and there a companion and leaving gaps in the ranks more significant and impressive at this time than at any other, so that even at the feast, and where rejoicing reigns, the heart stops for a moment that sorrow may supply its chastening touch.”

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Front page, the News, December 24, 1910. 

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Illustration by Lou Skuce, Toronto World, December 25, 1910.

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Toronto World, December 22, 1912.

From an editorial on holiday charity: “People are giving freely now, who keep their hearts and pockets closd ’till next Christmas. Why? There is need always as at Christmas time. It is simply that we are moved now by an unusual sentiment–an impulse to kindliness.”

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The News, December 23, 1914.

The Copland Brewing Company’s Toronto roots stretched back to 1830, when William Copland opened a brewery along Yonge Street shortly after arriving in Upper Canada. By 1914, most of its products were brewed at its plant on King Street between Ontario and Berkeley Streets. Bought by Labatt in 1946, the site was later occupied by the Toronto Sun.

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Toronto World, December 19, 1915.

An editorial note from the second holiday season of the First World War:

Above all, the call of Christmas is ‘Peace on Earth.’ In the present grievous crisis of the world there is significance in this call beyond that of any crisis mankind ever before was called to read. That war has darkened Christmas for so much of the world may well seem, at the moment, the crushing condemnation of all such conflicts.”

 

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Toronto World, December 19, 1915.

As the war staggered on over in Europe, World cartoonist Lou Skuce reminded readers of where the battlelines were usually located on Christmas Eve.

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Toronto World, December 25, 1916.

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Toronto World, December 25, 1918.

A pair of First World War-themed ads from Eaton’s.

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Mail and Empire, December 25, 1920.

With the shadow of the First World War fading, Eaton’s ad held the promise that life was returning to normal for its customers, and that Christmas was a time to rejoice in youthful spirit.

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The Telegram, December 19, 1923.

Given that the establishment of Sick Kids was a pet project of Telegram founder John Ross Robertson, the paper took every opportunity during the holiday season to solicit donations for the hospital. Heart-tugging stories to invoke contributions were printed in the Tely around Christmas, bearing headlines like “CHILD SWALLOWS LYE THROAT BADLY BURNED” (December 19, 1923).

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The Telegram, December 23, 1933.

A sample of a Sick Kids ad from a decade later.

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Toronto Star, December 24, 1924.

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Mail and Empire, December 25, 1930.

Simpsons centred its 1930 holiday ad around verse from poet Bliss Carman, who died the previous year.

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Mail and Empire, December 20, 1933.

Despite the effects of the Great Depression, the Mail and Empire urged its readers to light up the city at Christmas time. We doubt any displays inspired by this contest were accompanied by a menagerie of front yard inflatables.

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Mail and Empire, December 22, 1933. 

Years before teaching the world to sing, or employing polar bears as pitchmen, Coca-Cola offered an economical solution for holiday entertaining during the Great Depression.

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The Telegram, December 23, 1933.

 

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Weston Times and Guide, December 14, 1934.

The 1930s equivalent of the slightly naughty gift ads found decades later in alt-weeklies like eye and Now?

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Toronto Star, December 23, 1939.

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Weston Times and Guide, December 13, 1945.

Relieved that the Second World War no longer interfered in his annual delivery run, Santa relaxed a little in 1945. He found time to stop in Weston for a luscious roast bird. Note the slightly scary look in his eye, as if he’s daring the artist to take the plate away from him.

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The Telegram, December 23, 1950.

The poet of Toronto’s sports pages, Telegram columnist Ted Reeve, penned an ode to holiday shopping based on one of the big musical hits of that season, “The Thing“:

 

As we were walking north on Church, no Xmas shopping done,
We went into McTamney’s to maybe buy a gun.
The clerk behind the counter there let out a mighty roar:
“Get out of here with that shopping list and don’t come back no more.”

We hadn’t done our Christmas cards when reaching work today,
We asked the office girls if they would get them on the way.
They turned on us with a vicious yell as fierce as any blow:
“Get out of here with that shopping list and you know where to go.”

We’ll get to Kresge’s Christmas Eve and in a final dash
We’ll try to get the presents bought unless they want some cash.
The chances are the manager, while tearing up our cheque,
Will heave us out with our boom-boom-boom and land us on our neck

There’s only three more days to go, we haven’t bought the tree,
It is a most perplexing week, we think you’ll all agree.
And if we don’t get anything done we’ll just let Xmas pass
And take that terrible boom-boom-boom and hide it in the grass.

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Don Mills Mirror, December 8, 1960.

Either the caption writer was ordered to devise a happy sentence without seeing this picture, or somebody decided to play a cruel joke at the expense of the exhausted Santa at the Don Mills Centre. His arrival by helicopter in late November prompted ten thousand people to greet him at the shopping centre, doubling the number that greeted him the year before. Santa’s trip was delayed ten minutes due to fog and low-flying planes landing at Malton airport. Once the chopper landed, Santa hitched a ride on a fire engine, which took him to his seat at the centre of the complex. With over four-and-a-half thousand kids mounting his lap that day, no wonder Santa looks like he can’t wait to escape back to the comfort of the North Pole.

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Weston Times and Guide, December 22, 1960.

Wonder how many diners around that time hummed Marty Robbins’s 1959 smash hit about the west Texas town while eating their delicious young turkey dinner.

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Maclean’s, December 9, 1961.

From 1912 to 2006, Kodak’s Canadian division called Mount Dennis home. Its large campus near Eglinton Avenue West and Black Creek Drive is being redeveloped and will service the Eglinton Crosstown LRT. Whenever that line begins service, perhaps someone who received a Kodak camera under the tree will be inspired by the site’s history to haul it out and shoot the opening ceremony.

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Weston Times-Advertiser, December 22, 1964.

Politicians love sending seasonal greetings, and Alan Eagleson was no exception. Before he achieved fame in the hockey world for forming the National Hockey League Players’ Association and infamy for his criminal actions regarding pensions and disability claims, Eagleson sat as a Progressive Conservative MPP for Lakeshore from 1963 to 1967.

 

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Willowdale Enterprise, December 8, 1965.

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Willowdale Enterprise, December 22, 1965.

Santa and the reindeer might have needed a map when a widened Highway 401 between Highway 400 and Hogg’s Hollow fully opened to to traffic on December 16, 1965. The expansion of the freeway from four to twelve lanes included the introduction of the express/collector lane system.

 

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Toronto Life, December 1966.

Toronto Life celebrated its first Christmas by asking Gordon Sinclair to describe how he really felt about the holiday? His verdict? Despite not being a fan of organized religion, Sinclair felt it was “the best and friendliest of all family celebrations when we are with kinfolk; the ones of our blood who accept us for what we are. Not what we should be, or could be, but what we are.” He also described Christmas was the worst day of the year to be alone, a situation he experienced while reporting from Shanghai in 1938. That day he wandered through clubs and pubs “looking for someone to feel sorry with” but found only a black eye (a present given by an American when Sinclair declined to have a drink with him) and a crying fit (after returning to his hotel to find “wish you were here” cablegrams from Canada). There was only one thing he would have changed about Christmas: “that stupid abbreviation, Xmas.”

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The Enterprise, December 20, 1967.

An excerpt from the Enterprise‘s December 13, 1967 holiday editorial, which criticized the trend toward war toys like G.I. Joe, which kids might have asked Miss Suzie for as they received a candy cane.

War toys are not going to make a killer out of a child, but they do instil an acceptance which lasts into adult life. In other words, war toys are a marvellous propaganda instrument…The only way to counteract war toy propaganda is for the consuer public to boycott any kind of violent toy–and encourage manufacturers to produce just as interesting toys who emphasis is not military.

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Globe and Mail, December 25, 1970.

A stylish seasonal ad from a fashionable Kingsway-area women’s clothier. Two weeks earlier, Lipton’s published a gift certificate order form in the Globe and Mail, positioning it as “great trim for any tree.”

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Toronto Life, December 1974.

While CHUM-FM offered a slender Santa for the holidays, its AM sibling distributed its usual CHUM Chart. Topping the Toronto hit list on December 21, 1974 was Carl Douglas’s “Kung Fu Fighting.”

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Toronto Sun, December 16, 1975.

Unfortunately for eager carolers, the Sun-sponsored musical celebration of the season was cancelled due to the first blizzard of the season. High winds coupled with around 20 centimetres of snow resulted in a record number of help calls to the Ontario Motor League (now CAA), severe TTC service delays and the cancellation of a Toronto Marlboros hockey game. The storm did not deter holiday shoppers, as Simpsons reported a minor decrease in the usual last Saturday before Christmas crowd at their Queen Street flagship.

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The City, December 3, 1978.

Simpsons felt a little punny during the 1978 holiday season. It was a time of change for the retailer–Hudson’s Bay Company had launched a bid to acquire the department store chain in November, while shoppers at its Queen Street flagship would have seen the south end of the Eaton Centre near completion.

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Toronto Life, December 1985.

Because this article needs a touch of 1980s Christmas style.