Goodbye 1918, Hello 1919

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Toronto World, December 31, 1918.

As 1918 ended, Torontonians contemplated a year which had seen the First World War end, celebrate what would hopefully be a cheerier year ahead, and engage in the usual political bickering which accompanied the annual voting rites of a municipal election on New Year’s Day.

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The Globe, January 1, 1919. Unfortunately, chunks of the rest of this editorial are missing. 

The Globe‘s New Year’s editorial spent the most time on any of Toronto’s opinion pages contemplating the general state of the world now that the war was over.

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Mail and Empire, January 1, 1919.

The Mail and Empire expressed hope for the future, and encouraged everyone to help with the reconstruction of the post-war world.

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Toronto Star, December 31, 1918.

The Star‘s editorial looked back to the genteel customs of New Year’s Days of yore.

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Toronto World, January 1, 1919.

The World‘s editorial focused on the top story item as the old year gave way to the new: the municipal election. Mayor Tommy Church ran for his fifth one-year term against Board of Control member John O’Neill, former city councillor William Henry Shaw, and York East MP Thomas Foster.

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Mail and Empire, December 31, 1918.

Long before Rob Ford preached zealous penny-pinching, Thomas Foster took frugality to extremes. A self-made millionaire known for visiting tenants in person to collect rent or fix problems, Foster spent two decades as an elected official at the federal and municipal levels. It would also appear, based on this campaign ad, he dabbled in post-war xenophobia. While Foster finished a distant fourth in this campaign, he retained his federal seat. He narrowly won the mayoralty in the 1925 municipal campaign over W.W. Hiltz, and served three terms. His legacy is the giant mausoleum he built for himself near Uxbridge.

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Toronto News, December 31, 1918. Click on image for larger version.

A sampling of candidates vying for council seats. Three of the four Board of Control winners (Charles Maguire, Sam McBride, and William Robbins) later served as mayor.

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Toronto Star, December 31, 1918.

Church’s campaign appealed to returning soldiers and their families. During the war, the mayor saw off as many departing soldiers as possible. “For many soldiers,” historian Donald Jones noted, “the last thing they remembered about Toronto was the sight of their mayor running beside the train shouting goodbye and wishing them good luck.” After the war, he welcomed them back and championed various measures to provide vets with financial benefits.

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Evening Telegram, December 31, 1918.

As it would several times during Church’s career, the Telegram supported his re-election campaign with ridiculous zeal. Editorials blasted anyone who criticized Church, especially the Star.

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Evening Telegram, December 31, 1918.

One of many Telegram articles extolling the virtues of Tommy Church. The key issues the paper was concerned about was public ownership of the hydro system and the ongoing battles with the Toronto Railway Company as the end of its 30-year franchise to run many of the city’s streetcars neared its end.

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Evening Telegram, December 31, 1918.

Even the women’s page turned into pro-Church propaganda.

Church received his fifth term, beating O’Neill by nearly 10,000 votes. He remained in office through 1921.

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Toronto News, January 2, 1919.

Election day was a good one for female candidates for the Toronto Board of Education, as four of the five who ran became trustees.

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The Globe, January 1, 1919.

The Globe ran an interview with the outgoing year before it disappeared for good.

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Toronto News, December 31, 1918.

The most covered party to welcome 1919 was held at the King Edward Hotel. Wonder how that meeting of the Canadian Society for the Protection of Birds went.

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Toronto News, January 2, 1919.

This would be the last New Year’s celebrations the News covered, as the paper rebranded itself as the Toronto Times in March, then folded for good in September.

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Evening Telegram, January 2, 1919.

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The Globe, December 30, 1918.

The city’s Protestant ministers had plenty to say about the events of the past year, and looked forward to the momentous events they felt would come in 1919.

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Mail and Empire, January 1, 1919.

How people reverently celebrated New Year’s…

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Evening Telegram, January 2, 1919.

We’ll end with a hint of the year to come, with this tiny item about the distribution of “Bolshevik pamphlets” in the west end.

***

And so ends 2018 for this site. Thanks for reading and supporting my work over the year, whether it’s here or for the many clients I’ve produced material for. The major (and minor) events of 1919 will play a large role in my work for 2019, so stay tuned here and elsewhere for how those events happened, and what their long-term legacies were.

Vintage Toronto Ads: Have a Honky-Tonkin’ Happy New Year

Originally published on Torontoist on December 31, 2014.

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Weston Times-Advertiser, December 22, 1964.

For many, music is a vital component of their New Year’s Eve celebrations. Hitting the dance floor, listening to a live act, or gathering around a piano to sing old favourites help glide the transition into another year.

In the 1960s, finding the nearest honky-tonk piano player or turn-of-the-century-inspired performer helped some Torontonians mark the calendar change. Across North America, genres like ragtime and barrelhouse piano music experienced a revival, sending bars like the New Toronto Hotel in search of the nearest musicians with striped shirts and 1890s-styled gowns. It was kitschy, but it allowed audiences to get into the spirit of things by encouraging them to drop their reserve and merrily sing along.

Pianist Charlie Young chalked up the revival to fatigue with a scary new musical style. “People just grew sick of rock ‘n’ roll,” he told the Star in 1962. “Rock had nothing for the older ones, or indeed anyone from 35 up. They turned to ragtime.”

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Globe and Mail, December 18, 1961.

Club 76, named after its location on 76 St. Clair Avenue West, claimed to have started the old-timey music trend in Toronto. Owner Bob Cook opened his establishment in August 1959 after listening to ragtime pianist Bob Darch perform while vacationing in the Bahamas. Cook booked Darch as his first headliner, who was soon followed by Young, whose act relied on a century-old piano he found filled with sand in a Colorado hotel. To enhance the nostalgic atmosphere, silent movies were run simultaneously.

Musicians who latched onto forms of old-time piano scrambled to find ways to stand out as bars and lounges joined the bandwagon. “Honky-tonk piany hasn’t even scratched the surface in Toronto,” observed Maxe Sherman during a tenancy at the Concord Tavern’s Gaslite Room in 1961. “But you still have to have a gimmick.” For Sherman, that involved becoming a one-man band whose act included foot-operated maracas and tap-dancing on his piano stool.

One of the most popular venues was the Gay Nineties Room at the Brown Derby Tavern (now the site of 10 Dundas East). For seven years, singer Georgina Rogers and pianist Jimmy White led nightly honky-tonk and ragtime singalongs. The pair played in a Latin-themed band in a local hotel before launching their tenancy at the Brown Derby in 1960. Regular patrons were occasionally given the chance to warble a verse or two on their own. Among those joining in was opera star Teresa Stratas; the first time Rogers noticed Stratas, she went over to her table. “Say, you’ve got a nice voice,” Rogers joked. “You should take this up.”

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Toronto Sun, December 28, 1972.

Around 1967, Rogers and White moved north to the Trophy Lounge at the Beverly Hills Motor Hotel on Wilson Avenue. Globe and Mail critic Blaik Kirby felt the move was a mistake: the space lacked the atmosphere and intimacy they enjoyed downtown, and the suburban audience wasn’t keen on singing along. By the early 1970s, White played a regular gig to a more appreciative crowd at the Barmaids Arms at Yonge and Davisville.

Back at the New Toronto Hotel, while George Small won’t be on hand to play all your old-time favourites this New Year’s Eve, the joint may still be jumping via its current incarnation: the Jay Jay’s Inn swingers club.

Additional material from the March 9, 1967 edition of the Globe and Mail, and the August 29, 1960, July 19, 1961, May 4, 1962, and March 28, 1964 editions of the Toronto Star.

UPDATE

As of the end of 2018, the New Toronto Hotel operates as The Westlake.

ADDITIONAL MATERIAL

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Toronto Sun, March 30, 1979.

When Jimmy White died in 1979, Sun columnist Paul Rimstead wrote about one of his last performances.

Holiday Dispatches from the Toronto Daily Mail, 1888

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Toronto Daily Mail, December 22, 1888.

For no particular reason other than it’s the holiday season (and the scanned pages of historical newspaper microfilm on Google News are working properly again), here are a few seasonal stories taken from the Toronto Daily Mail 130 years ago.

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Editorial, Toronto Daily Mail, December 22, 1888.

The pre-Christmas edition of the Woman’s Kingdom page had several holiday-related items, starting with general thoughts about the occasion.

(Aside: the following year, Woman’s Kingdom was taken over by pioneering female journalist Kit Coleman)

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Toronto Daily Mail, December 22, 1888.

There were suggestions on what to have for Christmas dinner:

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There was also a poem about mince pies:

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The strangest item on the page was this story about women’s toes:

mail 1888-12-22 women's kingdom toes

On Christmas Eve, the Mail published the tale of a lonely boarder, residing by themselves in the city far away from loved ones, who decided to take in a vagrant for some holiday cheer. The result, if it had happened in 2018, would be a headline on the 11 o’clock news.

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Toronto Daily Mail, December 24, 1888.

Finally, a few stories published in the Christmas Day edition of the paper. It seems odd that the man who was taken in for a crime he was immediately cleared of still had to pay bail. Also note the hordes of last-minute Christmas shoppers in downtown Toronto.

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Toronto Daily Mail, December 25, 1888.

A Gooderham Gallery

Originally published on Torontoist on October 13, 2011

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Gooderham Building, 1996. Photo by Boris Spremo. Toronto Star Photo Archive, Toronto Public Library.

An iconic image of Toronto: a photograph looking west from the intersection of Church, Front, and Wellington Streets, with the Gooderham Building (a.k.a. the Flatiron) as the focal point. The unusual skinny, triangular shape, which predated New York’s flatiron by a decade, was the result of the clash between Wellington Street’s adherence to Toronto’s square grid and Front Street’s looser paralleling of the 19th century shoreline. In the 120 years since George Gooderham first surveyed his business empire from his fifth floor office, the building that bears his family’s name has evolved into a Toronto landmark.

And it’s a landmark that theoretically could be yours. Current owner Woodcliffe started the bidding process this week to find the next custodian for the historical site, which provides an opportunity to look back at how it became one of Toronto’s most beloved buildings

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Coffin Block, Front and Wellington Streets, 1873. City of Toronto Archives, Fonds 1244, Item 7335.

Before the Gooderham Building was erected in 1891, another flatiron-shaped structure occupied the block. Consisting of three connected units, the structure was known as the Coffin Block due to its resemblance to the end of a funeral box. Among its tenants were a telegraph office, a stagecoach booking office, and additional guest rooms for the Wellington Hotel, whose main premises were located on the northwest corner of Church and Wellington.

Whoever archived this image determined that notes written on the side of the photo weren’t enough for future researchers.

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Gooderham Building, circa 1893. Toronto Illustrated 1893 (Toronto: Consolidated Printing, 1893).

Here’s a wealthy person the Occupy Wall Street movement might respect: when George Gooderham died in May 1905, he purposely left most of his fortune in the hands of the Ontario government. He decided against selling any of his stocks to anyone else due to his belief that it was unconscionable to evade provincial succession duties. The portion of Gooderham’s $25 million estate that the government received wiped out the provincial deficit.

Though Gooderham’s fortune was based on the Gooderham and Worts distillery, he built it through investments in banking, insurance, and railways. He was among the founders of Manufacturer’s Life (now Manulife), served as president of the Bank of Toronto (an ancestor of TD Canada Trust), and backed the construction of the King Edward Hotel. His philanthropic interests included key financial and managerial roles at Toronto General Hospital and the University of Toronto.

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Gooderham Building, 1890s. Photo by F.W. Micklethwaite. Library and Archives Canada, RD-000335, via Wikimedia Commons.

Architect David Roberts Jr. was no stranger to the Gooderham family when he was chosen to design the new building. Among his other commissions was Waveney, George Gooderham’s mansion at Bloor Street and St, George Street, which currently houses the York Club. To replace the demolished Coffin Block, Roberts designed a five-storey red brick office building trimmed with Credit Valley stone. Gooderham’s personal office was located at the top of the semi-circular tower in the front, where he could view of many of his business interests. Also included for Gooderham’s benefit was a tunnel under Wellington Street to the head office of the Bank of Toronto (now the site of Pizza Pizza).

The effect the building created was summed up by Patricia McHugh in her book Toronto Architecture: A City Guide (Toronto: McClelland and Stewart, 1989), “With a richly textured facade and kingly chateauesque towered roof that still dominates this busy corner, the building stands as an apt symbol of the Gooderham family’s powerful position in the community.”

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Gooderham Building, between 1966 and 1972. Photo by Ellis Wiley. City of Toronto Archives, Fonds 124, File 2, Item 65.

Gooderham and Worts maintained offices in the building through the early 1950s. By the 1960s, despite its growing status as a local landmark, its future seemed in doubt. As plans evolved for a Centennial-related series of arts complexes in the neighbourhood, the buildings that occupied the rest of the Gooderham’s little island were razed for a temporary parking lot. By 1966, the orphaned building was the temporary headquarters for the St. Lawrence Centre for the Arts rising to the west. As the 1960s, the Gooderham provided office space for arts organizations like the Mendelssohn Choir, the Shaw Festival, and the Folk Arts Council.

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Globe and Mail, September 19, 1973.

But the Gooderham Building managed to survive in an era when one aging downtown building after another fell to the wrecking ball. New ownership in the mid-1970s poured money into renovations. Instead of building arts schools or small concert halls beside it, the City of Toronto approved the public space that officially opened as Berczy Park in 1975. That same year, the Gooderham Building was declared a historic site.

Two attempts were made to dress up the west wall, which had actually belonged to a long-gone neighbouring building. A mural of clouds painted by Daniel Solomon during the early 1970s was eventually covered over—allegedly the wall was too poorly prepared to handle the piece. Attempt number two began with a suggestion from the city’s heritage agencies that any future artwork should incorporate the architectural stylings of the surrounding 19th century buildings. A combination of commercial donors and funds from the Wintario lottery provided artist Derek Besant with $80,000 to come up with a durable piece of art. The result: 49 panels of a polyethelene-based construction material called Alucobond that formed a trompe l’oeil special effect of a wall curling at its edges.

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Berczy Park looking east at the Gooderham Building, before and after landscaping. City of Toronto Archives, Fonds 200, Series 1465, File 623, Item 5.

When Besant’s piece was unveiled on September 19, 1980, the Globe and Mail’s John Bentley Mays called it “an engineering masterpiece and an artistic triumph that will be flying high on the Flatiron Building for years.” Two restorations later, the piece is as much a Toronto landmark as the building itself.

The building’s landmark status has grown with time. As larger office towers filled the skyline to the west, it has provided photographers with an interesting contrast of past versus present. The site has consistently been one of the most popular attractions during Doors Open. Any new owner would risk a public outcry if they messed with the flatiron shape or the well-restored building’s other unique attributes.

ADDITIONAL MATERIAL

The building was purchased by Commercial Realty Group.

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Editorial on what would become Berczy Park, Toronto Star, August 8, 1972.

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Globe and Mail, September 19, 1980.

A Collection of Heroes and Villains

heroes and villains

For most of my time with Torontoist, the holiday season meant rounding up Toronto’s heroes and villains for the year. Some choices were obvious, others were hotly debated during staff meetings. Feeling drained by the time December rolled around, I usually stuck to my comfort zones (heritage matters, media), feeling that other writers were better at articulating hot button cultural and political issues.

It took time for me to grow comfortable with writing opinionated pieces. When I worked for the University of Guelph’s student newspaper, the section editors had the opportunity to write editorials. My lone contribution was one of the weakest, being little more than griping about aggressive PR people I had to deal with while handling the arts section (I was probably too afraid to write anything stronger, given the toxic atmosphere in that office). Later on, I always feared any opinions might come off as too trite, too weak, and too bland for anybody to care about. I can be a slow, deliberate thinker, and it has taken years to develop many of my viewpoints.

Let’s dive into my contributions to Heroes and Villains. I did not contribute during my first two years with the site (2007-2008) and certain I skipped 2009 (though it’s hard to say, given the individual entries have vanished from the interwebs – here’s the list). To replace the original artwork, I’ll use a mix of photos and appropriate vintage illustrations.

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“The defendants before the court.” Illustration by Eugene Lampsonius. Oevres illustrées de Balzac, vol. 1-2 by Honoré de Balzac (Paris: Gustave Havard, Maresq et Companie, 1851). Old Book Illustrations.

2010 Villain: Rob Ford’s Campaign Team

Originally published on Torontoist on December 17, 2010.

Pundits and voters who held low opinions of Rob Ford during the municipal election campaign had to admit that his brain trust did a brilliant job of capitalizing on voter anger and the lacklustre campaigns of his opponents to win the mayor’s chair for the outspoken Etobicoke councillor. Beyond appeals to the “little guy” and catchphrases like the focus-grouped “gravy train,” tactics employed in the march to victory by now–Ford Chief of Staff Nick Kouvalis and his associates at Campaign Research demonstrated a disconcerting willingness to achieve their goals by any means possible.

When the Ford camp learned the Star possessed the recording of a potentially damaging telephone conversation in which the candidate promised to find OxyContin for constituent Dieter Doneit-Henderson, Deputy Communications Officer Fraser Macdonald jumped into gear—and invented a person, Karen Philby (a.k.a. QueensQuayKaren), a George Smitherman supporter who spouted political views on Twitter. While Philby (whose last name, shared with a Cold War spy, might have tipped off her purpose in life) quickly achieved her intended goal—securing the Ford campaign its own copy of the conversation from Doneit-Henderson—she continued to post tasteful barbs directed at the other candidates (such as referring to Sarah Thomson as a “bitch”).

Philby also proved useful in undermining other candidacies. As “will he or won’t he” stories filled the press regarding John Tory’s intentions, the Ford campaign devised ways to keep him out of the fray, since they figured much of their support would gravitate to Tory if he ran. The methods ran from the mildly amusing (a YouTube video demonstrating Tory’s lack of superpowers when it came to stopping out-of-control gravy trains) to the deceptive: a Ford staffer called into Tory’s CFRB radio show as Philby to attack the host’s integrity.

Now that Ford occupies the mayor’s chair, we wonder what further shenanigans will be deployed to sway public opinion or neutralize opponents. Will a “Gloria Burgess” or “Donna MacLean” step forward to try to embarrass or derail Ford’s enemies? If the campaign was a preview of what’s to come, Ford’s key staff may score points among hardcore devotees and political junkies for the cunning of their tactics, but also further deepen cynicism about politicians in general and about City Hall in particular. We hope what we saw on the campaign trail does not foreshadow four years of dirty politics that use up energy that would be better expended solving the problems of the mayor’s cherished taxpayers.

UPDATE: The Rob Ford era…le sigh. When John Tory won the mayoralty in 2014, one of his campaign advisers was Nick Kouvalis.

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Portrait of William Lyon Mackenzie. Toronto Public Library.

2010 Hero: Shawn Micallef

Originally published on Torontoist on December 22, 2010.

In the foreword to his book, Stroll, Shawn Micallef notes that Torontonians have convinced themselves that our city is underwhelming compared to those world-class ones, such that “we don’t expect to turn the corner and see beauty or be amazed.” Yet Micallef, in an ever-growing number of media outlets (Eye WeeklySpacingYonge Street), uses his sharp observational skills to discover the city’s hidden treasures. In a year in which the media, politicians, and other naysayers suggested that everything in Toronto is broken, Micallef’s curiosity and keen interest in Toronto’s virtues injected a necessary and refreshing optimism.

Stroll, published this year, compiles stories drawn from Micallef’s psychogeographical walks across the city, ranging from the parking lots of Pearson Airport to the tip of the Leslie Spit. Readers gain a sense of the sheer size of the city and are taken to unexpected spots, like the middle of Highway 401 above Hogg’s Hollow. The stories he tells in the book, along with those featured in his Eye columns, weave together history and urbanism, and empathize with the residents of the locales he wanders through.
Micallef’s writing acknowledges the suburbs without denigrating them or deepening the divide between the inner and outer city. Instead, he creates connections between these geographies, mapping the relationships between all who inhabit the GTA. When he went to Etobicoke to cover one of Rob Ford’s campaign barbecues for Eye, Micallef did not mock or demonize those attending, as a journalist for a downtown-based alt-weekly might stereotypically be tempted to do, but portrayed the attendees as normal human beings enjoying their evening. While Micallef irritated several followers on Twitter for not etching those around him as illiterate cavemen, as though the writing were already on the wall, the piece demonstrated his ability to see beyond the echo chamber and understand why people might support somebody who most of his audience finds repulsive.

Micallef’s impish sense of humour was comedic relief during the long, dreary municipal election campaign. For most of the year, he successfully disguised himself as the city’s firebrand first mayor on Twitter: @rebelmayor. While other observers defined the negative tone of the race, @rebelmayor defiantly functioned as a court jester whose mock campaign updates and serious barbs at candidates (those most voters would have also aimed muskets at if given the opportunity) provided a release for the frustrations of the electorate. Though @rebelmayor has been retired for the moment, Micallef’s commentary continues under his own handle on Twitter: after Ford officially assumed office, Micallef encouraged Torontonians to act on their libertarian impulses regardless of how silly they were.

Given how the next four years at City Hall are promising to shape up, we’ll need all the comic relief we can find. Toronto will also need more people like Micallef who are not afraid to defy the defeatists and express what they love about the city.

UPDATE: As of 2018, Micallef is a columnist with the Toronto Star. @rebelmayor pops up once in a while.

Here are the ultimate winners of the competition, along with links to all of the entries.

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The Telegram, September 14, 1965.

2011 Hero: City Hall Deputants

Originally published on Torontoist on December 12, 2011.

One of Rob Ford’s major accomplishments during his first year in office has been to provoke greater engagement in civic government. The mayor’s zeal for cutting City services has energized citizens to defend programs they believe are vital to Toronto’s well-being. If there was a point when any honeymoon Ford had was over, it was during the deputations given at the marathon Executive Committee session in July. As we summed up at the time, “It was the most important slumber party held in Toronto in years.”

Over the course of almost 24 hours on July 28 and 29, 169 citizens commented on service cuts proposed in the Core Service Review report. Speakers were not the lazy, unemployed types that several executive committee members attempted to portray them to be. Many had never addressed city council before and endured insults and reductions in their speaking time. From teary-eyed teens to neurosurgeons, the deputants represented all corners and social strata of the city.

Among the highlights was a speech dripping in Swiftean satire from retired educator Mary Trapani Hines. Her performance quickly went viral, inspired the “yellygranny” tag on Twitter, and possibly encouraged more people to go to City Hall to witness the rest of the session. Other theatrics included a visit from Santa, and puppet show that caused Councillor Giorgio Mammoliti to declare that some deputants were disrespecting council.

But it was councillors like Mammoliti who were being disrespectful. While claiming it was a great exercise in democracy, Mayor Ford paid scant attention to the speakers. Attempts to thin the deputant ranks ranged from running an all-night session to Mammoliti’s insistence that City staff determine if disabled participants were faking their incapacities. These obstacles mattered little when the hardcore Fordites were shown for the fools they were as the testimonials rolled on and a celebratory spirit developed within City Hall.

In the months since these deputations, opposition to the Ford administration’s brain trust has gained momentum as other citizens gained the confidence to fight them—witness the success of CodeBlueTO in derailing a new vision for the waterfront. Another marathon Executive Committee session in September saw an almost equal number of people speak. Early indications are that the voting on proposed City budget cuts won’t go smoothly. Most importantly, the deputants showed that Torontonians aren’t accepting the Ford Nation vision of them as mere taxpayers but instead are citizens who care about the services that make this city their home.

UPDATE: Giorgio Mammoliti was defeated in the 2018 municipal election. It will be interesting to see if the repercussions of Premier Doug Ford’s downsizing of city council and other acts against the city will cause a similar cycle of public pushbacks in 2019 and beyond.

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“Compositor at his case.” Illustrated by E. Bourdelin. Les grandes usines, volume 1 by Julien Turgan (Paris: Michel Lévy Frères, 1875). Old Book Illustrations.

2011 Villain: Sun Media

Originally published on Torontoist on December 21, 2011.

When the Toronto Sun sought a new comment page editor in October (a job filled by former Rob Ford press secretary Adrienne Batra), one requirement was an understanding of the paper’s self-mythologized role as “an organization with edge and attitude that sticks up for the little guy.” Problem is, Sun Media’s shameless support of right-wing politicians who gut programs supporting the vulnerable and who distort facts to play to their ideological base is screwing the little guy.

Decisions to pull its papers out of the Ontario Press Council and to mercilessly attack the CBC reveal a desire to be accountable to no one, especially when Sun Media’s properties bully those they perceive as different or not aligned with their world view. Their refusal to apologize for running a transphobic ad during the Ontario provincial election reconfirmed the organization’s perennially poor relations with the queer community. April’s launch of the Sun News Network brought a Fox News mentality to Canada’s airwaves, complete with guest-haranguing anchors. Krista Erickson’s vicious attack on dancer Margie Gillis for receiving government grants, which Sun Media’s corporate parent Quebecor has been known to accept, prompted thousands of complaints to the Canadian Broadcast Standards Council.

The Gillis incident illustrates Sun Media’s desperation to grab attention by any means. Despite the Sun’s “Welcome to Hell” cover following Dalton McGuinty’s re-election, a ring of fire hasn’t encircled Ontario. While most of Jack Layton’s political opponents paid their respects during the public outpouring of grief following his death, Sun News Network outfitted provocateur Ezra Levant with a garish orange wig and cans of Orange Crush while he and Michael Coren mocked people’s genuine feelings.

To the surprise of few, the Sun emerged as an unofficial City Hall mouthpiece this year. The paper and its City Hall columnist Sue-Ann Levy share the Ford administration’s view of Torontonians as taxpayers first, citizens who appreciate social services, the arts, and fire protection second. Levy’s unwavering support of the gravy hunt and her sycophantic attacks on administration opponents make us wonder if secretly she’s a satirist pulling an elaborate joke on everyone.

But it’s Sun Media’s consumers who are being played for fools. By ratcheting up the outrage to appeal to those who hate to see anyone receive any (perceived) advantage over themselves, and creating resentment of any use of public funds for purposes that its readers feel provide no direct personal benefit, Sun Media’s properties appeal to the worst in human nature. They prey upon our anger and foster a fear of those who don’t share their views or fit into their preferred societal norms. Sun Media’s revered “little guy” would do better to educate himself elsewhere on the nuances of issues that affect him than be patronizingly urged to direct his frustrations in destructive ways.

UPDATE: Postmedia bought the Sun papers in 2014. Sun News Network folded in early 2015. As the Toronto Sun was the heir to the Telegram upon that newspaper’s demise, it can be argued The Rebel was SNN’s offspring. The outrage expressed by the Sun has only grown shriller since this article was written.

Roundups of 2011’s other heroes and villains.

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Checking out the former location of centre ice in the Maple Leaf Gardens Loblaws, November 2012. 

2012 Hero: Maple Leaf Gardens

Originally published on Torontoist on December 9, 2012.

It probably comes as a relief to many hockey fans that Ryerson University has been using part of Maple Leaf Gardens as an arena since the Mattamy Athletic Centre opened in September. The reminders of the building’s past are all around you: from the recreation of the old marquee above the entrance, to the walls of photos of memorable moments, to the row of old seats lining the wall by the escalator.

At street level, the Loblaws store, which opened in November 2011, also mixes past and present. Beyond the wall of cheese and specialty food counters, the store’s pillars commemorate important dates in Gardens history. You can look at old newspaper wrestling ads while sitting down with a coffee. Centre ice is quietly marked with a red dot in the middle of aisle 25, though we hope staff haven’t been called too many times to clean up broken bottles of soy sauce from the adjoining shelf. There’s a hanging sculpture made from a jumble of salvaged arena seating. Even the parking garage is decorated with names of sports teams from the past.

The current state of Maple Leaf Gardens is a large-scale example of what can happen when a heritage building’s new owners embrace the structure’s past, rather than treat it with token recognition. Even future bookings, such as the upcoming Ontario Liberal leadership convention, harken back to the political events that regularly graced the Gardens. The site’s deep resonance with the public probably helped in its renewal. One can only imagine the outrage if the Gardens had suffered the fate of 81 Wellesley Street, which was suddenly knocked down in January before it could receive a heritage designation.

For years after the Toronto Rock played their last game there in 2000, we wondered if Maple Leaf Gardens was going to rot away. Former owner Maple Leaf Sports and Entertainment might have been satisfied with that fate, given its reluctance to sell the Gardens to anyone who posed the remotest threat to the Air Canada Centre’s event bookings. As recently as last year, MLSE filed a lawsuit against Ryerson to prevent the university from using the name “Maple Leaf Gardens” for promotional purposes. Ultimately MLSE’s obsession with the bottom line won’t prevent the public from referring to the building by that name: we still call the Rogers Centre “SkyDome,” after all.

Besides, as long as the NHL lockout continues, the Gardens can boast it has hockey games. The Air Canada Centre can’t.

UPDATE: The NHL lockout ended the following month.

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“The shriek of Timidity.” “The defendants before the court.” Illustration by Gustave Doré. The days of chivalry, or the legend of Croquemitane by Ernest L’Épine (New York: Cassell Petter and Galpin, c. 1866). Old Book Illustrations.

2012 Villain: Extreme NIMBYism

Originally published on Torontoist on December 10, 2012.

Condos will destroy neighbourhoods, blot out the sun, and reduce my property values. Rapid transit lines in the middle of wide suburban streets and bike lines on busy downtown arteries will cripple my commute by minutes. Change will kill my comfortable lifestyle and bring strange new people into my community.

Those are effectively the arguments provided by the loudest, NIMBYest opponents of building and transit projects around the city. While there are many people who offer reasoned, carefully thought-out arguments for and against new construction plans, they are often drowned out by those driven by fear, innuendo, and sound bites. The result over the past year has seen ugly battles in neighbourhoods stretching from Humbertown to the Beach.

There is little space left within the city to develop the classic single-family homes that characterized Toronto’s neighbourhoods until the middle of the 20th century. To cope with an ever-increasing population, the city needs to build up. This does not mean 45-storey towers everywhere: smaller-scale projects like the proposed six-storey condo causing havoc in the Beach provide one solution. Yet, to hear the loudest opponents of that project, even a small condo will destroy the community’s character.

What these people forget is that Toronto neighbourhoods have changed before: Jarvis and Sherbourne streets were once the preserve of the ultra-wealthy, Cabbagetown was a slum, Liberty Village was industrial, and the suburbs were farmland or small settlements. Even if they benefitted from a wave of gentrification that shaped their neighbourhood into the comfortable community they know now, these people expect things to remain static. Like it or not, the “villages” they live in are part of the city and cannot stay removed from its overall infrastructure issues.

The true ugliness of the loudest NIMBYs emerges when the economic homogeneity of their neighbourhood is challenged, prompting fear of what even a slightly more economically diverse neighbourhood might mean. At one community meeting regarding Humbertown recently, one proponent of a proposed residential development was told to “get a job” when he argued it would keep area prices affordable. That kind of fear is ugly, and unfair.

In these cases all parties—tenants, homeowners, developers, designers, activists, and bureaucrats—need to put kneejerk, defensive, and reactionary responses aside and work together, to arrive solutions that benefit whole neighbourhoods in the long run. Painful as the process can be, it’s better to work the kinks out of a development proposal than obstinately block it, and better to accept that change is a healthy part of life in a healthy city than to reject even small alterations to the landscape as gross betrayals.

UPDATE: Roundups of 2012’s other heroes and villains.

 

2013 Hero: Church Street Parklets

Originally published on Torontoist on December 30, 2013.

A parklet is, as the name suggests, a teeny tiny baby park. Generally an extension or reuse of existing space, like a sidewalk or a parking spot, it’s a small sliver of the street that’s used to provide greenery and public enjoyment. As we observed earlier this year: “The idea isn’t to promote recreation. Instead, the goal is to reclaim space for pedestrians and idlers and bring vibrancy back to streets that have been dominated by automotive traffic. Building a parklet is a means of creating a sidewalk cafe atmosphere, even—especially—in places where there aren’t any sidewalk cafes.”

A series of parklets was installed this summer along Church Street, in Church-Wellesley Village, as a test run for similar street infrastructure initiatives planned for World Pride in 2014. Backed by Councillor Kristyn Wong-Tam (Ward 27, Toronto Centre-Rosedale) and the local BIA because of its constructive use of public space and potential to boost local businesses, the project found sponsors in Home Depot and a carpenter’s union. They were installed in a flash, as well: to observers like the Star’s Christopher Hume, their speedy implementation marked a break from the city’s traditionally timid approach to such experimentation.

Beyond offering lounging space from which to watch the city pass by, the parklets offer a glimpse of how we can make streets more amenable to all. Traffic flow improves when fewer drivers block the road with complicated parallel-parking manoeuvres; friends running into each other can move into a parklet to talk without disrupting the pedestrian flow or inducing sidewalk rage.

We’d be happy if similar initiatives to reclaim public space spread across the city. While there’d inevitably be complaints that losing a handful of parking spots would provoke a disaster of St. Clair-ish proportions, we suspect most people would latch on to the parklets—perhaps then, most complaints would take the form of sighing over filled seats.

UPDATE: While parklets didn’t return to Church Street after 2013, they made summer appearances on Elm Street for several years.

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Goad’s map of Corktown area, 1884. 

2013 Hero: Corktown Common

Originally published on Torontoist on December 31, 2013.

The appeal of Corktown Common is as simple as getting to hear the rhythm of frogs who live there. The chorus of croaks emerging from its marshes on a hot summer night temporarily transports you from a heavy construction zone to somewhere far from the city lights.

Though the park won’t be finished until 2014, the sneak preview we enjoyed this summer demonstrates how aesthetic, environmental, and recreational needs can be realized and met in a space Torontonians can be proud of. Adults appreciate the effort Waterfront Toronto made to create a varied green landscape; kids can run wild up and down the knolls, glide down the built-in slides, or go for relaxing swings; cyclists riding the Don or Martin Goodman trails are able to fill their water bottles or take a stretch. (We also recommend just lying on the grassy field and staring up at the clouds). When residents move into the condos rising to the west, we imagine the park will become a community gathering place, an oasis amid the desert of concrete and glass.

July’s intense downpour tested one of the park’s major purposes, which is to function as a berm by protecting downtown from the effects of flooding along the Don River. It passed the test, holding back the waters that trapped commuters and motorists in the lower Don Valley.

Corktown Common demonstrates the viability of Waterfront Toronto’s efforts to improve our lower shoreline, do so in a way that’s enjoyable as well as functional—and in the process, increases our excitement about the many other projects they still have in the works.

UPDATE: It’s still a great park.

I don’t remember the reason why I didn’t contribute a villain in 2013 – either I was nearing my fill of the City Hall gong show by that point, or felt it was better to stick to positive contributions.

Roundups of 2013’s other heroes and villains.

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Grounds of Aga Khan Museum and Ismaili Cultural Centre, May 2015.

2014 Hero: The Aga Khan Museum and Ismaili Cultural Centre

Originally published on Torontoist on December 22, 2014.

The need for an institution such as the Aga Khan Museum and Ismaili Centre, which opened in September, was brought into relief during this year’s municipal election. Anti-Muslim incidents, including sign defacing and slurs, underlined the usefulness of a bridge-building complex. Though bigoted louts probably won’t venture near it, the complex’s role as a cultural centre has great potential to, according to its mission statement, “foster a greater understanding and appreciation of the contribution that Muslim civilizations have made to world heritage. Through education, research, and collaboration, the Museum will foster dialogue and promote tolerance and mutual understanding among people.”

Though controversial in some circles for bringing about the destruction of John B. Parkin’s 1960s modernist Bata Shoes Head Office, the complex at the Eglinton Avenue and the Don Valley Parkway has the potential to become a new architectural landmark—much as Mies van der Rohe’s iconic steel and glass Toronto-Dominion Centre did after replacing the Beaux Arts–influenced Bank of Toronto headquarters 50 years ago. Like that project, the Aga Khan Museum and Ismaili Centre has architectural heavy hitters behind it, including Fumihiko Maki, Charles Correa, and Moriyama and Teshima.

“Don Mills once was a locus for innovation in architecture and planning,” Globe and Mail architecture critic Alex Bozikovic noted, “with offices and warehouse buildings designed by some of Canada’s top architects in the 1960s. That modernist legacy has been badly diluted by new buildings, but the absurdly fine quality of the museum and Ismaili Centre will set a new standard.”

The items displayed in the museum, which has been touted as the first in North America devoted solely to Islamic art, literally provide a colourful take on the culture. Among the most impressive items are painted, lavishly illustrated manuscripts. Cross-cultural influences stand out, whether through works inspired by local cultures or in Iranian paintings that would not have looked out of place in Renaissance Europe.

For once, Toronto may have received just the kind of world-class institution it covets.

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Fort York, 1885. Toronto Public Library.

2014 Hero: The Fort York Neighbourhood

Originally published on Torontoist on December 23, 2014.

For years, it seemed as if Frederick Gardiner had had the last laugh. Though attempts to move Fort York to make way for the Gardiner Expressway failed during the 1950s, the historical site’s location, hemmed in by traffic jams in the middle of an industrial neighbourhood, did it few favours. But thanks to recent developments, the old military grounds now sit at the heart of a revitalized area of the city.

The big news from Fort York itself was the opening of its new visitor centre in September. Though still incomplete, the structure offers a visually stunning space for exhibits and other educational activities. The result of a partnership between Vancouver’s Patkau Architects and Toronto’s Kearns Mancini Architects, it has been described by the Globe and Mail as “part building, part landscape” due to its string of steel rectangular panels.

This year’s edition of Nuit Blanche took advantage of the space within the fort’s grounds (even if the entrances did create bottlenecks), as well as nearby parks such as Canoe Landing. These green spaces offer a place of respite for visitors and incoming residents amid the condo towers rising nearby—and more are in the works, including Mouth of the Creek Park. The chain of parks creates public space and pedestrian corridors, even if the Ford administration did manage to stymie progress through actions such as delaying the construction of a bridge to Garrison Common.

To serve the community’s creative, intellectual, and social needs, the Toronto Public Library opened a two-storey branch across from the fort in May. The branch offers amenities such as a digital innovation hub (complete with 3D printing) and architectural features such as wooden ceiling beams that honour the area’s historic wharves—and it has filled the large library desert that was created by the closure of the Urban Affairs Library in 2011.

While the neighbourhood emerging around Fort York will experience growing pains, it seems poised to integrate itself at last into the fabric of the city.

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Cartoon of Olivia Chow by Andy Donato, originally published in the Toronto Sun.

2014 Villain: Not-So-Latent Bigotry on the Campaign Trail

Originally published on Torontoist on December 23, 2014.

“Diversity Our Strength.” Toronto’s official motto reflects our idealized image of the city as a shining beacon of multiculturalism and tolerance. Yet, as Rob Ford’s mayoralty proved, a significant segment of the population finds bigotry and divisiveness palatable.

Public displays of intolerance marred the recent municipal election campaign. During the mayoral race, Olivia Chow faced a steady stream of slurs about her ethnicity. Some questioned her speaking ability, referencing her accent and the slow speed of her talking—the latter the result of partial facial paralysis. During a debate at York Memorial High School, a heckler told Chow to go back to China. The Sun lowered the conversation by publishing an Andy Donato cartoon depicting a Mao-suited Chow riding the coattails of her late husband Jack Layton (the paper lamely defended it by claiming it always depicted NDPers in the garb preferred by historic Chinese dictators). Whatever your opinion of Chow’s campaign, these attacks were despicable.

So too was the anti-Muslim bigotry that reared its head in ward races. Running in the heart of Ford Nation, Ward 2 candidate Munira Abukar saw her campaign signs defaced with messages such as “Go Back Home.” In Ward 10 (York Centre), TDSB trustee candidate Ausma Malik was targeted by opponents who tried to depict her as a supporter of fundamentalists. Candidates also reported car window smashings and garbage tossed on volunteers.

In the wake of these incidents, front-running candidates had little or nothing to add. As Torontoist’s Desmond Cole observed, “If diversity is our strength, why do political candidates believe they will lose ground for publicly condemning racism?” Pandering to the basest instincts of some voters encourages the ignorant and intolerant and demeans our public discourse—and so does remaining silent.

UPDATE: Roundups of 2014’s other heroes and villains.

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The City, June 18, 1978.

2015 Villain: Paul Godfrey

Originally published on Torontoist on January 4, 2016.

Since debuting as a fresh-faced, twenty-something North York city councillor in 1964, Paul Godfrey has, for better or worse, played a key role in shaping modern Toronto. Since early crusades against “sip n’ sex” at fast food drive-ins, Godfrey has rarely shied away from controversy. During half-a-century in the public eye, he became a consummate networker and backroom operator, especially in local Conservative circles. He often jokes about a line his mother told him as youngster: “When you have your choice in life between smart and lucky, take lucky all the time.”

That luck produced an impressive string of top-level jobs: chairman of Metropolitan Toronto, publisher/CEO of the Toronto Sun, president/CEO of the Blue Jays, chair of the Ontario Lottery and Gaming Corporation, chair of the board of trustees of RioCan, and now president/CEO of Postmedia. But his track record has sometimes raised questions regarding whose interests he works for. This is a guy who promoted amalgamation, Mel Lastman, and our desperate need for a casino.

This year was not one of Godfrey’s better ones. His ham-fisted support of the Conservatives during the federal election campaign made a laughingstock of the country’s largest newspaper for the Tories regardless of the opinions of local editorial staff. Andrew Coyne resigned as comment editor of the National Post after a column was spiked for his support of another party. Reeking of desperation, the front page of the chain’s papers bore a Tory attack ad during the final weekend of the campaign. Readers and employees were disgusted, while the competition (including Toronto Star chair of the board John Honderich) had a field day attacking Godfrey’s disregard for freedom of the press.

While Postmedia newsrooms were slashed and its papers hemorrhaged circulation, Godfrey and other officials didn’t exactly share in the pain. A total of $925,000 in bonuses was paid to its top six executives, some of which stemmed from the acquisition of Sun Media, which closed this spring. The optics of these payments, including the $400,000 given to Godfrey, did little to improve Postmedia’s optics in an industry in crisis. He was paid a total of $1.76 million for his trouble, thus living up to his mother’s adage about luck.

Godfrey has enjoyed a long run wielding the levers of power. It’s time to turn them over to somebody else.

UPDATE: As of 2018, Godfrey is still at Postmedia, where he continues to draw a healthy paycheque.

Roundups of 2015’s heroes and villains.

I declined to contribute to 2016’s batch, which proved to be the final edition. By that point I was only writing Historicist for the site, slowly edging toward my decision to leave Torontoist for good.

What would a 2018 edition of Heroes and Villains look like? A few candidates would be obvious. Doug Ford would be high on the villain side, for any number of reasons. I put out a call for suggestions via Facebook and Twitter, and here’s what came back:
2018 Heroes
Ulli Watkiss
Tanya Talaga
Kyle Lowry
Austin Matthews
Overdose prevention activists
Candidates in the 47-ward council race
Chanty Marostica
2018 Villains
Doug Ford
Ontario Proud
Dean French
Faith Goldy
Giorgio Mammoliti
Sidewalk Labs
Sky Gilbert

Feel free to add your suggestions in the comments section.

 

 

 

 

 

 

 

 

Santa Claus is Coming to Town

Originally published as a “Historicist” column on Torontoist on November 15, 2008.

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Santa Claus Float, Eaton’s Santa Claus Parade, Toronto, 1930. Archives of Ontario Reference Code: F 229-308-0-814

From its beginnings as a short trek from Union Station sponsored by Eaton’s department store, the Santa Claus Parade has grown into a tradition for the five hundred thousand spectators on the route each year.

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Eaton’s Santa Claus Parade, 1918, Toronto, Ontario, Canada. Wikimedia Commons.

The first parade was held on December 2, 1905, when Santa arrived from the North Pole at Union Station via train and was greeted by Timothy Eaton. Santa hopped into a horse-drawn truck and rode up to Eaton’s Queen Street store, tossing out candy, toys, and other gifts from his sack to children lined up along the way. For most of the parade’s first decade, Santa ended his journey at Massey Hall, where a court was built to hold youngsters eager to give their gift requests. Towards the end of World War I his destination moved to the store, though as Patricia Phenix described in her book Eatonians, his grand entrance at the end of the parade was not always so smooth:

Any employee who assumed the role of Santa had to face the daunting task of hoisting his padded belly up a fire ladder from the float to the store’s second floor Eaton’s Toyland window, located above Albert Street. More often than not, as “Santa” stumbled, frequently cursing, through the window he was resuscitated by swigs of “Seagram’s medicine,” provided by sympathetic store managers.

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Eaton’s advertisement, Toronto Star, November 14, 1930.

Several of the floats mentioned in this ad touting the 1930 parade would not pass muster today. This was also one of the first parades to feature licensed characters, including tributes to radio shows (Amos ‘n’ Andy) and comic strips (Toonerville Trolley).

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Mary Quite Contrary Float, Eaton’s Santa Claus Parade, Toronto, 1930. Archives of Ontario Reference Code: F 229-308-0-814.

Fairy tale characters were the usual focus of the floats, such as this one based on “Mary, Mary, Quite Contrary.” Floats and costumes were made in-house by Eaton’s, providing steady work year-round for carpenters and seamstresses. When company president Fredrik Eaton withdrew the store’s sponsorship in 1982 (citing reasons such as the recession and criticism from city officials on the parade’s timing), six full-time craftsmen were laid off after having completed eighty percent of the work on that year’s floats. The stunned workers, some of whom had worked on the parade for over thirty years, locked themselves in the workroom. One lamented to the a Star reporter on the other side of the door that “it would have been a beautiful parade.” He received his wish in December when the parade carried on, thanks to a non-profit group quickly organized by local business leaders and civic officials. At a press conference that announced the parade’s rescue, McDonald’s of Canada president George Cohon declared that, despite the view of the Eaton family, Santa Claus “is recession-proof.”

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The Globe and Mail, November 14, 1969.

Those playing Santa over the years have required varying levels of stamina depending on the parade route. The longest treks occurred between 1910 and 1912, when the parade was a two-day affair that headed downtown from Newmarket, with an overnight stop at York Mills. We suspect that Santa required a lot of “Seagram’s medicine” to survive the cold of those journeys. Yonge and Eglinton was the starting point for several years before the company settled on the Dupont and Dovercourt area, as seen in the 1969 route map above.

Additional material from the August 11, 1982 and August 20, 1982 editions of the Toronto Star.

ADDITIONAL MATERIAL

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Toronto Life, November 1975.

For a couple of years, I handled Torontoist’s coverage of press day for the Santa Claus Parade. Here’s my story about the 2011 parade, originally published on November 3, 2011 – follow this link for images.

For drivers heading onto the Highway 400 ramp from the eastbound collector lanes of Highway 401, the warehouse on the right doesn’t stand out. Just another non-descript suburban light industrial building, one of the dozens that line the highways.

Except, this one serves as the secret headquarters of a jolly old elf.

Pass through the main doors into the warehouse and you’ve entered a space few children or adults would resist running around—past the racks of animal costumes and clown suits, below walls lined with blank stares from moulded masks, around shelves of white mini-cars, and right over to the nearly 30 floats waiting to dazzle spectators along the streets of downtown Toronto.

Amid tuxedoed candy mascots riding waves of a caramel ocean, and classic cartoon characters awaiting their final touch up, the organizers of the Santa Claus Parade announced their plans for the 107th edition of the holiday tradition at a press conference yesterday.

The biggest change spectators will notice on November 20 is a new route. While the parade will depart at 12:30 p.m. from its usual starting point at Christie Pits and head east along Bloor Street, Santa won’t be greeting youngsters along Yonge Street. Instead, the parade will turn right at the ROM and proceed south on University Avenue to Wellington Street, then make a left and continue to St. Lawrence Market. Organizers feel that University’s width will accommodate more spectators than the limited space on other downtown routes. Santa Claus himself has endorsed the new route, noting that “you don’t get as much wind coming down the tunnels of the other streets.”

Santa was also proud to introduce a permanent addition to the parade: his wife. For the first time in the event’s history, Mrs. Claus is headlining her own float, which will immediately precede her husband’s. After years of staying home to watch the parade on television with the elves, she feels it’s time to observe the festivities first-hand. Her float will be a replica of the rustic Claus manor.

Mrs. Claus discussed one of the festival’s tie-in activities, a downloadable colouring book that teaches kids about volunteerism. The book can be construed as a recruitment guide for future parade volunteers, which would please its officials. As co-chair Ron Barbaro described the costumed children on hand at the press conference, “this is probably the first time they’ve volunteered for anything. They’re going to be in the parade. They’re going to wave at people and they will get instant payback.” Barbaro hoped that as a result of their participation, “the children will go on to be sitting out there as sponsors and volunteers for everything in their community.”

Children who aren’t officially walking in the parade will see if Santa catches a glimpse of them as he rides by thanks to a “Santa Cam” attached to his float. The camera will snap still photos along the route, which will posted online for anyone to download and, as parade officials suggested, stick on their fridge. (We hope that any kids who go to the parade and fail to be photographed won’t be teased for being ignored by Santa.) Some children in the pictures will sport red noses sponsored by the Emery Village BIA that will be sold along the route to benefit the parade and the Air Cadets; kids wearing the noses will ride free on the TTC parade day.

Meanwhile, the assemblies of paint, Styrofoam, and wood will be given their final inspections over the next three weeks before they leave the warehouse and fulfill their annual role of kicking off Toronto’s holiday season.

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Evening Telegram, November 20, 1926.

And here’s the following year’s story, originally published on November 5, 2012.

During a drive along the 401 to the Toronto branch of Santa’s Workshop on Friday, there was a sign that Santa Claus was bringing a touch of the holiday season with him for his preview of the 108th Toronto Santa Claus Parade: gentle snow flurries skated across our windshield.

At the workshop, Santa appeared fit and trim amid the floats-in-progress, presumably because of a strict diet and exercise regimen developed by Mrs. Claus and the elves. This should ensure an energetic appearance when he rides his float through downtown streets on November 18. His route, which parade president Peter Beresford described as “six and a half kilometres of smiles and fun,” will be the same as last year. The procession will begin at 12:30 p.m. at Christie Pits, then head east on Bloor Street, south on Queen’s Park/University Avenue, east on Wellington Street, and wrap up at St. Lawrence Market.

This year marks the 30th anniversary of the Santa Claus Parade’s existential crisis, in 1982. Then, the event was rescued by the downtown business community after its original organizer, Eaton’s department store, decided it was too costly to fund during a recession. Several speakers mentioned this during the preview. They praised all of the donors and volunteers who have kept this seasonal tradition alive.

The parade coincides with the start of the week-long festivities for the 100th edition of the Grey Cup. The game will be saluted with a float carrying a 14-foot replica of the cup, as well as a real-life Toronto Argonauts executive, Pinball Clemons.

Several blasts from the past will evoke nostalgic memories for parade veterans. McDonald’s is sponsoring a replica of a “Farmer in the Dell” float, which appeared in the 1951 procession. It’s intended to be the first in an annual series of throwback floats. The parade website offers a downloadable reprint of a 1952 Eaton’s colouring book, which introduces a new generation of kids to Punkinhead, the defunct department store’s one-time holiday mascot.

The website also offers a downloadable app, which will transform iPhones into jingle bells for onlookers to shake as the procession rolls by. Kids can enter an online draw for four seats on Mrs. Claus’s float. Also, three days after the parade, crowd photos taken from a “SantaCam” affixed to Santa’s float will be available for viewing—and for use in embarrassing anyone caught mugging for the camera.

Red noses are currently available at 30 Canadian Tire locations in the GTA for two dollars apiece. Proceeds will be split between Canadian Tire Jumpstart, which funds recreational sports for low-income children, and the parade. For a donation of $100 to the parade, the organizers will put a child’s name on a banner attached to the 12 Days of Christmas float. Organizers are also aiming to raise $150,000 in toy donations for remote Northern communities, part of the parade’s Toys for the North program.

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Evening Telegram, November 20, 1926.

For some vintage coverage of the parade, here’s the Telegram’s account of the 1926 edition.

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Evening Telegram, November 20, 1926.

Toronto’s Holiday Misdemeanours of 1909

Originally published as a “Historicist” column on Torontoist on December 26, 2009. The original artwork has been replaced with public domain illustrations from late 19th century books found at Old Book Illustrations.

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“Stealing.” Illustration by Louis Rhead. The life and death of Mr. Badman by John Bunyan (New York: R.H. Russell, 1900). Old Book Illustrations.

Crime knows no vacation. While many of us look to the holiday season for peace and good cheer, others find themselves on the wrong side of the law. For as long as inebriates have been hauled in for disturbing the peace or thieves have secured deeper-than-advertised discounts on Boxing Day specials, the police blotter has rarely rested during the closing weeks of the year. While the most sensational crimes garner headlines today, a century ago most of Toronto’s six battling daily newspapers published lengthy accounts of court proceedings no matter how small or unusual the charge. Fined a dollar for failing to secure your horse? Clumsy cab driving? Swearing in public? All of these misdemeanours earned you fifteen seconds of press infamy in 1909.

But we’re not interested in petty offenders. Give us illegal partridges, turkey liberationists, and cannibalistic ruffians.

A partridge in a pear tree—the ideal gift from your true love during the holiday season? Maybe, but anyone who intended to provide his or her sweetie with a full complement of gifts from “The Twelve Days of Christmas” in 1909 required black market birds. Clothing merchant Abraham Hadis learned all he ever wanted to know about partridge regulations when he was hauled into court for possessing the birds outside of their proper season. Trouble began when a provincial inspector caught his son with two cases containing sixty-four partridges, which father and son claimed were brought to their store at 155 Queen Street West by “a man from the country” who hoped to earn a commission on any sales. Hadis was brought up on twenty charges of violating game laws and made no attempt to evade responsibility. When lawyer J.W. Curry approached the bench and entered a guilty plea, the judge replied, “Well, I can’t do anything else than fine you on each charge; it will be ten dollars and costs, or five days in jail on each case.” Curry commented, “That’s a lot of time for a few partridges,” to which the judge replied, “Yes, but I still can’t help it.” Curry felt his client would rather go to jail than pay the fine, as “it seems like a case of the wealthy against the poor; this man is not well fixed.”

Hadis’ real problem may have been possessing too many birds. Overindulgence is a common side effect of the holidays, whether it’s downing one glass of booze-enriched eggnog too many or a sudden attack of gluttony at the dinner table. The Star guessed that the latter may have resulted in an embarrassing end to one Toronto resident’s Christmas:

A Christie Street citizen, whose name the police refuse to disclose, ate too much turkey and pudding on Christmas Day, and for half an hour after midnight he was found, clad only in his nightie, running along Van Horn Street [now Dupont Street], shouting for Shrubb to come and race him.

He was in a dream or trance or something of that sort, and ran all the way from Christie Street along Van Horn to Dovercourt Road before his cries attracted the attention of Acting Detective Mahony. The officer at first thought he was crazy, but when the man was wakened he seemed rational enough and thoroughly ashamed of himself.

Mahony helped him to secure some much needed clothing and then the citizen went home. He’ll dine more wisely next Christmas.

A far more painful walk was endured by milkman Albert Atwell, who fell into a hole in the front yard of William Cooper at 15 Avenue Road and cracked three ribs after landing on an iron pipe at the bottom of the pit. Atwell sued Cooper for sixty dollars and made his case at what proved to be a brief court hearing on December 23. Both the Star and the Telegram provided the play-by-play as Atwell and Judge Morson took centre stage:

Judge: Did you walk on the lawn?
Atwell: Yes.
Judge: Was there a sidewalk?
Atwell: Yes, your honour.
Judge (after brief conversation with Atwell’s lawyer): Non-suit, without costs.

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Drawing of a wild turkey by an unknown artist. Bilder-atlas zur Wissenschaftlich-populären Naturgeschichte der Vögel in ihren sämmtlichen Hauptformen by Leopold Joseph Franz Johann Fitzinger (Vienna: K.K. Hof- und Staatsdruckerei, 1864). Old Book Illustrations.

Not every case was dismissed so easily. Shoplifting a turkey might not merit more than a sentence or two in a modern newspaper, but back in 1909 such a crime allowed the imagination of the News’ court reporter to run wild. It wasn’t just a theft—it was an act of animal liberation:

Turkee Gobler, poor old chap, was condemned to hang on December 24, the place of execution being W.J. Nichol’s store at 252 Queen Street East. His heart burning with pity, Robert Bastine, of 108 Oak Street, swore to affect a rescue. As the shades of sunset crept over the street, he emerged from his hiding place, and while the careless crowd passed the scene of execution, stealthily advanced to the rescue. With a fell swoop he cut the halter and as Gobler came to earth, deftly caught him in his arms and bore him off. But the doughty knight lived not happily ever afterward, for the law cast him into a dungeon, and charged him with theft.

This act of holiday terrorism earned Bastine three days in the slammer.

While eating poor Mr. Gobler is an accepted holiday dining tradition, sampling a savoury bite of a neighbourhood cop is not. As a Star headline proclaimed on December 23, “Martin Donaghue Learns That It Is Unsafe to Feast on Police.” The trouble began the night before when Police Sergeant McDonald encountered an intoxicated, stumbling “Sykes” Donaghue walking along College Street near Clinton without a hat. The officer, who most accounts indicate wasn’t a popular figure in the neighbourhood, asked Donaghue where his headgear was. “Down the street someplace,” replied Donaghue. “The wind blew if off. I don’t care. I’ve got lots o’ money to buy twenty hats.”

When McDonald told Donaghue to go home and behave himself, the officer received a steady stream of obscenities. As the Star put it in more genteel terms, “Donaghue became indignant and owing to the befuddled condition of his brain didn’t use proper discretion in his selection of language.” Result: an arrest for disorderly conduct. By now, a crowd had gathered to witness the mounting tension between the two men, which exploded into a fight after Police Constable Joseph Baird arrived at the scene and Donaghue launched into another cursing fit. Witnesses were unable to determine who struck the first blow—the Mail and Empire claimed Donaghue kicked McDonald in the thigh, while the Star claimed that the officer hit his prisoner in the mouth and bloodied his nose while Baird repeatedly hit the prisoner’s arm with his baton. Donaghue asked for help from the crowd, which arrived in the form of “little fellow” Herbert “Red” Evans, who promptly slugged Baird in the jaw. In the midst of this new development, Donaghue sank his teeth into McDonald’s wrist, which caused the officer to later seek medical attention. Donaghue and Evans, both described as having poor reputations in the neighbourhood, were hauled into court the following morning. According to one lawyer, “I don’t know why he should want to eat one of our new patrol sergeants. He’s been here before for this kind of thing.” Described by the Telegram’s court reporter as “the man with the cannibal appetite,” Donaghue received six months hard labour for his snack, while Evans’ father paid a ten-dollar fine for his son’s actions.

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“Cheap Wine.” Illustration by George Du Maurier. Trilby by George Du Maurier (New York: Harper & Row, 1895). Old Book Illustrations.

Arrests of inebriates like Donaghue over the holiday season were fewer in 1909 than previous years. Christmas Day saw one hundred and thirty people taken into custody for public drunkenness. As the Mail and Empire noted, “Most of them were treated leniently on account of the season, and the inspectors allowed them to go as soon as they could find their way home…only in the aggravated cases were fines imposed, and the majority of the prisoners formed a procession out of the dock, and will be in line for the New Year’s celebration.”

Additional material from the December 23, 1909 and December 28, 1909 editions of the Mail and Empire; the December 24, 1909 and December 27, 1909 editions of the News; the December 23, 1909, December 24, 1909, and December 27, 1909 editions of the Toronto Star; and the December 23, 1909 and December 24, 1909 editions of the Telegram.